LIMITS 

XXIst annual conference of the Society of Architectural Historians Australia and New Zealand

 

Melbourne, Australia

26–29 September, 2004

 

 

 

Now we are at home. But home does not preexist: it was necessary to draw a circle around that uncertain and fragile center, to organize a limited place.

Gilles Deleuze and Félix Guattari

 

 

The XXIst annual conference of SAHANZ calls for papers addressing the theme of ‘LIMITS’. A limit can be considered a decisive line of demarcation, a threshold where different conditions meet, or a boundary that may be approached, crossed or exceeded. Architecture is an art that operates within and responds to key nominated or historically situated limits and constraints. It is also a professionally bounded discipline that necessarily interfaces with a range of other fields of knowledge. Here we are concerned with identifying and investigating the plurality of different, often competing limits with which the discipline of architecture contends.

 

By identifying and questioning its limits, the discipline of architecture defines itself historically, theoretically, technically, culturally, and politically. What are the implications of the limits that have been placed historically on the role of the architect as artist, technician, thinker, and/or maker? How might the discipline of architecture reconsider its historical, current, and future formulations?

 

Architectural history, for instance, can be framed through a consideration of the practices architects have employed to respond to nominated or given limits and constraints. The status of constraining limits has shifted historically, from the unavoidable limits of distance and resource in the colonial period, to the imposed limits of modernism and rationalism. Different approaches to the constitutive possibilities of the limit as a contemporary concern are offered by engagement with the minimal as an aesthetic condition, with urban strategies for responding to situated limits and constraints, and with the supposedly limitless bounty of emerging technologies.

 

The particular geo-political situation of Australia and New Zealand at the edge of Asia and the Pacific demands the exploration of other kinds of cultural limits in post-colonial, migrant, indigenous and bi-cultural scholarship. The limit is especially topical at the present socio-political juncture. It marks the material coastline as an exclusionary border-limit to refugees and undesirable others. In the emerging post-industrial economy, the pervasive pressures of global media, capital and culture, cross national borders and redefine regional relationships.

 

This years SAHANZ forum registers the crossing of a culturally significant threshold. It is our 21st. This offers a timely opportunity for celebration, critical reflection, and the consideration of future aspirations. The figure of the limit, with its various allusions to thresholds, constraints, frameworks, boundaries, borderlines, betweeness, otherness, abjection, interruption, difference, liminality, the sublime, and so forth, defines the locus of many potential questions for the discipline of architecture. This conference is concerned less with these as problems in a negative sense, than with the affirmative limit, the line in the sand that can be forever redrawn.

 

 

 

 

 

 

Suggested Sub-Themes:

 

Historical Limits

methods, objects, and archive of historiography

contested canons and taxonomies: indigenous; vernacular; local and international modernism; avant-garde; contemporary

heritage conservation practice and the limits of its application

 

Epistemological Limits

discipline specific practices and precedents

disciplinary adjacencies: landscape architecture;  Interior design;  urban design

history and theory of interdisciplinary movements: art and crafts; modernist synthetic practices

interdisciplinary collaborations: research methods, techniques and practices

 

Ontological Limits

identity and other architectural histories: antipodean; indigenous; bi-cultural; sub-cultural; gendered; migrant; itinerant

 

Socio-Geographical/Cultural/Political Limits

Colonisation; post-colonisation; migrancy; globalisation; localisation

 

Technological Limits

(Un)limited emergence of technological capacities

limitations of technical determinism

anachronistic technologies and practices

 

Representational Limits

history of representational practices

emerging representational technologies

representation and liminality

 

Urban Limits

urban density and imposed boundaries

contested local character/heritage criteria

historically situated urban limits and constraints

subsumed historical limits in the contemporary metropolis

 

 

 

 

Requirements for Abstracts:

 

Page One: Contact Details

-Name.

-Institutional affiliation (not obligatory).

-Postal, telephonic and electronic addresses (in general conference

correspondence will be conducted by email).

-Biographic statement of 40 words or less. Give details of two of your recent publications.

 

Page Two: Abstract

In less than 300 words describe your proposed presentation. Indicate to what extent your proposal responds to the general theme of the conference or to the suggested themes listed above.

 

 

Submission:

Abstracts are due 12th April, 2004

 

Submit your abstract as a Microsoft Word file attached to an email send to:

sahanz04@rmit.edu.au

 

In the subject line of the email write:

'ABSTRACT: your title'

 

Title the Word document:

"yourfamilyname_titleword"

 

 

Process:

 

The abstracts will be blind reviewed by two peers and by the conference committee.

 

These are the criteria for acceptance of the abstract:

- Does the abstract propose an original contribution to the scholarship of its field?

- Does the author demonstrate knowledge of the literature in this field and show what the main resources of the paper will be in terms of examples, data or arguments?

- Does the abstract show that there are interesting points of arguments, or justifications of research to be made?

- Is the abstract well written?

- Does the abstract address one of the conference themes?

 

If the abstract is accepted a full paper is then required and this is also subject to external review by two peers.

 

 

abstracts due: 12th April, 2004

response: Late April, 2004

full papers due:  28th June, 2004

response: Late July, 2004

revised papers due: 23rd August, 2004

 

 

Conference Venue:

RMIT School of Architecture + Design

Building 8, Level 11

City Campus

Melbourne, Victoria

Australia 3000

 

 

For further conference information and updates refer to the SAHANZ Website:

http://www.sahanz.net

 

 

Please refer all enquiries to:

Hélène Frichot

sahanz04@rmit.edu.au

 

or

 

Prof. Harriet Edquist

Harriet.Edquist@rmit.edu.au

Conference Convener

SAHANZ 21